Wednesday, 5 June 2013

WE ARE HERE by Michael Marshall



We Are Here

It should have been the greatest day of David's life. A trip to New York, wife by his side, to visit his new publisher. Finally, after years of lonely struggle it looks as though the gods of fate are on his side. But on the way back to Penn station, a chance encounter changes all of that. David bumps into a man who covertly follows him and, just before he boards the train, passes by him close enough to whisper: 'Remember me.'

When the stranger turns up in his home town, David begins to understand that this man wants something from him...something very personal that he may have no choice but to surrender.

Meanwhile, back in New York, ex-lawyer John Henderson does his girlfriend Kristina a favour and agrees to talk to Catherine Warren, an acquaintance of hers who believes she's being stalked by an ex-lover. But soon John realises that Catherine's problem is far more complex and terrifying than he could ever have imagined...

There are people out there in the shadows, watching, waiting. They are the forgotten. And they're about to turn.


Tuesday, 4 June 2013

COURTS OF THE FEYRE SERIES by Mike Shevdon


Sixty-One Nails (Courts of the Feyre #1)

There is a secret war raging beneath the streets of London. A dark magic will be unleashed by the Untainted...Unless a new hero can be found. Neverwhere's faster, smarter brother has arrived. The immense SIXTY-ONE NAILS follows Niall Petersen, from a suspected heart attack on the London Underground, into the hidden world of the Feyre, an uncanny place of legend that lurks just beyond the surface of everyday life. The Untainted, the darkest of the Seven Courts, have made their play for power, and unless Niall can recreate the ritual of the Sixty-One Nails, their dark dominion will enslave all of the Feyre, and all of humankind too.



The Road to Bedlam (Courts of the Feyre #2)

Niall Petersen's whole life has been turned on its head by the revelation that he can do magic. Now he has just received the news no parent wants to hear. "There's been an accident. It's your daughter".
Learning to cope with the loss of a child is only the beginning of the new challenges facing Niall Petersen. An old enemy has returned and Niall already knows it’s not a social call.
As the new Warder of the Seven Courts he will be forced to choose between love and honour, duty and responsibility.
These choices will lead him to discover the darkest secrets buried right at the core of the ancient mortal realm he now calls home.


Strangeness and Charm (Courts of the Feyre #3)

Alex has been saved from the fate that awaited her in Bedlam, but in freeing her, Niall has released others of their kind into the population - half-breed fey who have been mistreated, abused and tortured by the institution that was supposed to help them.
Now, as Warder, he must find them and persuade them to swap their new-found liberty for security in the courts - but is the price of sanctuary to swap one cage for another?




The Eighth Court (Courts of the Feyre #4)

The Eighth Court has been established, but petty rivalries and old disputes threaten its stability. The mongrels that make up the court are not helping, and Blackbird enlists the help of the warders to keep the peace.
Has Blackbird bitten off more than she can chew, and can the uneasy peace between the courts continue under such tension and rivalry?



Monday, 3 June 2013

THIRTEEN REASONS WHY by Jay Asher

Thirteen Reasons Why

Clay Jensen returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers thirteen cassette tapes recorded by Hannah Baker, his classmate and crush who committed suicide two weeks earlier.
On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he'll find out how he made the list.
Through Hannah and Clay's dual narratives, debut author Jay Asher weaves an intricate and heartrending story of confusion and desperation that will deeply affect teen readers.


THE FAULT IN OUR STARS by John Green


The Fault in Our Stars

Diagnosed with Stage IV thyroid cancer at 13, Hazel was prepared to die until, at 14, a medical miracle shrunk the tumours in her lungs... for now.
Two years post-miracle, sixteen-year-old Hazel is post-everything else, too; post-high school, post-friends and post-normalcy. And even though she could live for a long time (whatever that means), Hazel lives tethered to an oxygen tank, the tumours tenuously kept at bay with a constant chemical assault.
Enter Augustus Waters. A match made at cancer kid support group, Augustus is gorgeous, in remission, and shockingly to her, interested in Hazel. Being with Augustus is both an unexpected destination and a long-needed journey, pushing Hazel to re-examine how sickness and health, life and death, will define her and the legacy that everyone leaves behind.



THE CATCHER IN THE RYE by J.D. Salinger

The Catcher in the Rye

Anyone who has read J.D. Salinger's New Yorker stories ? particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme ? With Love and Squalor, will not be surprised by the fact that his first novel is fully of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.